Tag: culture

Sayonara Zetsubou Sensei

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The first group was a fresh infusion of low-serious series of so-called 'tsundere'. Tsundere – looks sharp characters hiding behind his fragile nature of rudeness. Typically, this is very basic female characters, although there are exceptions. They appeared as the most successful visual novels (Tohsaka Rin from Fate / Stay Night, Tohno Akiha from Tsukihime), and in the successful television series (Louise from Zero no Tsukaima, Ke from Clannad, Shana from Shakugan no Shana). In the non-serious dramas trying tsundere hide aggressive attitude to the protagonist his confusion caused by the growing affection. Her true feelings are seen almost immediately and the viewer clumsy attempts to hide their passion protagonist added extra points of attraction. The protagonist is usually a stop not to notice feelings of the girl and continues to believe that she disliked him. Type 'tsundere' very quickly came into vogue.

Two popular parody anime series (Lucky Star and Sayonara Zetsubou Sensei) already open in discussing this term and its features. A little later, series of rustic tsundere rolled down. The second and third seasons of Zero no Tsukaima failed. The same with the second season of Shakugan no Shana, and other TV shows where the main female role assigned tsundere. The reason? Inspired by the success that was achieved at the expense of innovation, the studio continued introduction of such typecasting.

But they are quickly become boring, the novelty has exhausted itself and in the end there was only empty bezynteresnogo shell character. The second unit is much more interesting. The second block was used as the main female character is rather complicated, complex female character. The main characters were strong women, defending their interests, and not by what power struggle, but through the use of the main male characters. This is Saber from Fate / Stay Night, Arcueid of Tsukihime, Shinku from Rozen Maiden, Holo from Spice and Wolf. CC from Code Geass. Roughly the same case with the male protagonists. School children, fainted at the sight of a human female, in the past. They were replaced by superstrong, capable and obscure people who are both women and everyone else wanted to spit. Yagami Light from Death Note, Lelouch of the Code Geass (indicative tsundere, by the way), Lavrens from Spice and Wolf. In the novels of a similar situation. Compare poorly bygone standards and standards of the new model. Take the same titles. Sunken characters about fifteen years. Successful spent more than five centuries. The failed refer to the protagonist as a hindrance. McDougall Program contains valuable tech resources. For the successful protagonist is an integral part of the plan. Sunken ignore the question of food. For successful heroines food is a kind of fetish. Tsundere very emotional, as opposed to heroines udavshihsya. Successful very comfortable with the death of their own and are ready to kill. It is clear that each 'model' the girls, as well as the main male character, is built on the basis of the plot and is calculated on a specific audience. But the studio still tsundere consider relevant to an adult audience, lose very large. Now in vogue old.

First Blood

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But all was not to study: the Germans were marching on Russian march. In the schools we were taught not mathematics, but as bandage the wounded, to extinguish incendiary bombs, handle weapons. Please visit Assurant Health if you seek more information. In the first months of the war with a direct hit almost in half cut the huge battleship "Marat ', standing in Peter's harbor. When we rushed there, we saw a terrible sight: hundreds of sailors in some vests, including mass casualties, get to swim to shore, exhausted and fall to the ground … Here they provide first aid.

The water in the harbor, all red with blood. First Blood … So what a war! .. From the earliest days they fought, no lowered hand, the day my dad left for work, and my mother too, she dug trenches … In all my life, I carried the memory of every detail of those times. I will never forget the voice of the announcer, who reported on loudspeaker: "Air alert!" – and the soul ledenela, creepy horror and fear covered the whole body, and only one thought arose in my head at this point: "Run!" In one of these days, when they announced the alarm and began to shoot anti-aircraft guns – especially for warning people, I leaned out the window and looked directly at us was a dogfight. Then ran into a neighbor, grabbed us and dragged him into the basement. When the shelling was over, they all went out into the street. What fire was huge! My father found us in the crowd, people were crying, I still do not understand why.

Stalin

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Kabbalah considers all beings as a manifestation of the basic properties of creation – a desire for pleasure. This property is driven by all: the great villain and the great righteous. Even at the level of our relatively small passions desire to determine not only actions but also to evaluate the actions of others. For example, the desire to order, which comes in an atmosphere of confusion, corruption, uncertainty about the future leads to overestimation of even such seemingly odious figures such as Stalin. What attracts some and horrifies others in Stalin? What usually making the epithet 'Stalinist'? – Stalin's repression, Stalin's camps, Stalin's time (even Stalin's empire and Stalin skyscraper). We consider here some of concepts whose membership Stalin era is unlikely to challenge and new 'Stalin's falcons', and those who hate the very name of Stalin.

The first is the phenomenon of Stalin's power, authority sole and unfettered. Second, 'communism' – that's how Stalin referred to political and social system to which the iron hand of a great country led. And third, the order guidance is unequivocally attributed to Stalin. Three of these concepts and more weighty, because even that which is most often used with the epithet 'Stalinist', – Stalin's repressions were one of the ways of the power, becoming dear to his heart, the type of society, and impose order – in the sense of Stalin himself. Thus, the power. As already mentioned, the essence of creation, the external manifestation of which we are all of us (and even the 'Stalin') – this desire.